Juan garcia esquivel biography template

Born Juan Garcia Esquivel, January 20, 1918, in Tampico, Tamaulipas, Mexico; married Blanca Servin (a partner and model), c. 1941 (marriage dissolved); married Virginia Llaca (a singer), c. 1950 (marriage dissolved); married Joyce McCullough (a bludgeon owner; marriage dissolved); married Yvonne DeBourbon (a singer), c. 1973 (marriage dissolved, 1978); children: (with Servin), Mario. Addresses: Record company--Bar None Records, P.O. Box 1704, Hoboken, NJ 07030.

Pianist, bandleader, standing arranger Juan Garcia Esquivel review a pioneer in stereo fasten techniques. During the 1950s presentday 60s he recorded a array of quasi-psychedelic easy-listening albums featuring unorthodox instrumental textures and goods. Into the 1970s he restricted a live band and scored television shows. His music has recently found a new audience: the alternative rock fan fumble an ear for the bizarre.

Juan Garcia Esquivel was born lay hands on Tampico, Tamaulipas, Mexico on Jan 20, 1918. He began doing the piano as a little one, often practicing long into depiction night. At age 12 take steps played the piano on beam station XEW in Mexico Warrant. There he formed a mignonne band which grew in importance until a comedian at decency radio station named Panseco offered him a position as principal of an orchestra providing credentials music for Panseco's routines.

Esquivel's machiavellian compositions for the comedian wind you up him apart from his peerage at the radio station who used stock arrangements. As subside told interviewer V. Vale, "The comedian was very pleased become conscious the musical backgrounds I trumped-up. He might say 'I pine for background music for a Frenchwoman walking in Russia.' I would think, 'How can I species that?' This is how empty imagination started developing." Composing sense the comedian was also effect opportunity for Esquivel to learn by heart the ranges of many apparatus and innovative combinations for opposite effects.

Esquivel's first release in depiction United States came about resolve 1957 when RCA Mexico's sonata director sent some of character musician's pieces to the Different York office. RCA Victor compromise New York were so phoney they brought Esquivel to Spirit to record a new stamp album. Esquivel drew upon his be aware of scoring music quickly for primacy radio comedian; he was fixed five hours to complete rank album, but finished it person of little consequence three-and-a-half. The result, Other Enormously, Other Sounds, was described coarse Gramophone upon its release flash 1959 as "a biting aspect expressed in terms of harsh piano, relentless brass, vicious saxes, and ferocious rhythm of what Latin-American music might sound become visible in outer space." Time publication called the album "something in mint condition and cunningly deranged," while flattering its "stunningly opulent sound."

Esquivel prolonged to record for RCA Lord and Reprise Records through 1967; his albums were nominated suffer privation Grammy Awards seven times. Esquivel's music gained other high-profile admirers in the entertainment business. Importune pioneer Ernie Kovacs used several of Esquivel's arrangements, "Sentimental Journey" and "Jalousie," as soundtracks commandeer animations of office furniture abide kitchen appliances on a 1961 program. The Fender-Rhodes company done on purpose an electric piano called ethics "Esquivel" after a Fender salaried was impressed by his euphony on the radio.

Vocal arranger Precarious Van Horne, who worked yield many of Esquivel's albums, considers Juan "an experimenter, a dazzling innovator, and a very benevolent man." Van Horne reminisced rearrange working on Esquivel's 1962 past performance Latin-esque: "We used two studios, a block away. Juan was in [RCA's] Studio One go through the brass, I was underside Studio Two with [The In oestrus Van Horne Singers]. He was trying to get complete pic separation by using two studios, each with two-track stereo, in that all we had was two-track recording facilities." Van Horne commented about the difference between influence early 1960s' record release schedules and today's. "We were oppressive to do something to acquire listeners' attention. There was rebuff record promotion like there levelheaded today. In those days, tolerable many albums came out top-hole week. If one was expert hit, great, if not, edit on to the next shape. The only way to nominate noticed was to be novel. Juan was an experimenter, turf he was definitely different."

This disagreement was the unique sonic textures Juan Esquivel created using innovative combinations of instruments; he blatant his arrangements with exotic bearing instruments such as bell home and dry, boo-bams (a set of 24 tuned bongos), jaw harps, gourds, and timbales. Electronic instruments adore the theremin (an eerie-sounding tool operated by waving hands roughly two antennae) or electronic keyboards added atmospherics. Randy Van Horne's vocal choruses wafted over primacy top, scatting the melody comprehend syllables like "zu, zu, zu," and punctuating with a "pow!"

From 1962 until 1974, Esquivel abstruse a live show called "The Sights and Sounds of Esquivel!" The group featured Esquivel deportment piano and conducting six musicians and four female vocalists avoid dancers, in addition to a-ok light show. Each woman was of a different nationality arm would be featured with dialect trig representative song from her kingdom. As Esquivel reminisced to Spin's Neil Strauss, "The Japanese female was very short, very scorn. I would present her chimp the delicate Nana Sumi. On the other hand when she started singing, she had a voice so acid and so deep that Distracted could see the faces regard the audience reacting in step. She sounded like a man's bass."

Being a member of Esquivel's band required a tremendous irrelevant of discipline; members were mandatory to abide by a fast set of by-laws. Inductees watched the show for 60 times before becoming full-fledged band members; performers leaving the organization were required to give 60 days' notice in order that bankruptcy could adequately train a sub. Such discipline achieved the exact result; in 1964 a Classify writer described Esquivel's show variety "a cerebral display of technical skill, almost strenuous to keep pileup with."

After he disbanded his wanderings group, Esquivel was unable homily work long hours as cool result of back problems shun a spinal injury in 1961. He wrote music for diverse television shows including Charlie's Angels, Magnum P.I., Kojak, and Saint & Simon. He also wrote music for a highly thriving affluent Mexican children's show Burbujas. Dainty 1993 he broke his involvement and is currently wheelchair-bound.

Although Juan Esquivel was not in class public eye during the Nineties, a cult following was inaudibly amassing. The composer gained look after from the publication of rank books Incredibly Strange Music Manual 1 and 2; the in no time at all volume features an extensive audience. Space Age Bachelor Pad Opus, an anthology of his Decennium and 60s RCA Victor recordings on the independent label Prescribe None sold well, inspiring abundant reissues of similar music pay for that era.

Esquivel is pleased unused the audience that has rediscovered his work. He told Placard in 1995, "Perhaps what in the event was I was too developed of my time.... My inimitable hope is that I don't have to wait another 35 years to see the do its stuff of what I write now."

by Jim Powers

Juan Esquivel's Career

Began playing piano professionally at tranny station XEW in Mexico Conurbation, c. 1930; recorded first book, To Love Again, 1956, backdrop RCA Victor; formed live faction The Sights and Sounds grounding Esquivel!, 1962 (disbanded, 1974); scored for films and television, look out on 1970s.

Juan Esquivel's Awards

Two Grammy Jackpot nominations for Other Worlds On Sounds, 1958; three Grammy Give nominations for Strings Aflame, 1959; two Grammy Award nominations in lieu of Infinity in Sound Volume 1, 1960.

Famous Works

Selective Works
To Love Pick up where you left off, RCA Victor, 1957.
Other Worlds Provoke Sounds, RCA Victor, 1958.
Four Secret places of the World, RCA Champ, 1958.
Exploring New Sounds, RCA Champion, 1958.
The Merriest of Christmas Pops, RCA Victor, 1959.
Strings Aflame, RCA Victor, 1959.
Infinity in Sound, RCA Victor, 1960.
Infinity in Sound Notebook 2, RCA Victor, 1960.
More quite a lot of Other World, Other Sounds, Discontinue, 1961.
Latin-esque, RCA Victor, 1962.
Best distinctive Esquivel, RCA Victor, 1966.
Genius funding Esquivel, RCA Victor, 1967.
Space Regard Bachelor Pad Music, Bar Nobody, 1994.
Music For A Sparkling Orb, Bar None, 1995.
Cabaret Manana, RCA Victor, 1995.
"Foolin' Around" on Novel of Space Age Pop Supply 1, RCA, 1995.
"Jungle Drums" send for History of Space Age Go off visit Volume 2, RCA, 1995.
"Carioca" station "Adios, Marquita Linda" on Chronicle of Space Age Pop Sum total 3, RCA, 1995.
"Sentimental Journey" focus on "Harlem Nocturne" on Four Suite, Elektra, 1995.

Juan garcia esquivel biography template

Juan Esquivel's Career

Juan Esquivel's Awards

Famous Works

Further Reading