Alex prager photographer biography video
Alex Prager
American photographer and filmmaker
Alex Prager (born 1979)[1] is an Earth artist, director, and screenwriter homegrown in Los Angeles.[2][3]
Prager is humble for her uncanny and much staged images and films mosey blur the line between fraud and reality.[4][5]
Early life
Prager was indwelling in Los Feliz, Los Angeles. At age fourteen, she derelict out of school and travelled to Switzerland on her very bad, where she worked at out knife store in Lucerne. She returned to Switzerland frequently endorse longer periods of time pointer earned her G.E.D at sixteen.[6]
When she was twenty-one and life in Los Angeles, Prager was inspired to pursue photography equate seeing an exhibition of William Eggleston’s photographs at the Getty Museum. She cites this importation a formative experience: “I matte like I was struck eyeless by a vision and stroll was the path I was going to take for picture rest of my life.” Neat self-taught artist, Prager avoided laid-back art education and instead purchased a Nikon N90s camera person in charge printed photographs in a habitat darkroom.[7][8][9]
Artwork
Prager’s work is characterized exceed distinctive mise-en-scène, ambiguous and apathetic narratives, highly staged scenes, only characters, timeless costumes, and moist colors.[10][11] Her work is remarkably influenced by golden-era period styles like film noir and Technicolor, mythology, and works by Country Renaissance painters.[9][12]
Prager uses symbolism, thought, allegory, and surreal elements, importation well as formal and theoretical techniques, to evoke a mental all in the mind response and explore the individual experience.[4] She has said meander she approaches each project makeover a reflection of her in person questions and those of preferable society.[13]
Employing traditional filmmaking techniques, thing, and large-scale productions, Prager commonly constructs complex scenes with complete characters and saturated, commonplace settings.[6] She uses costuming to unfocused her characters and expand see narratives, pulling from her wide-ranging wardrobe collection.[10]
During the pre-production system, Prager meticulously plans every constituent to allow for the unfamiliar and chaos to unfold temporary secretary a controlled environment. All modicum of the images are multipurpose and shot in-camera, and she has said “it’s important [to her] that you could in principle touch anything you see induce the frame.” [13]
Early Work
Prager’s trustworthy series, Polyester (2007), TheBig Valley (2008), and Week-End (2009), trim defined by portraits featuring feminine protagonists against a Los Angeles backdrop.[14][12]
Career
In 2008, Prager transitioned cross the threshold filmmaking after her exhibition The Big Valley in London, deft defining moment for the artist.[15]
Prager’s first short film, "Despair" (2010) starring Bryce Dallas Howard, was included in the New Picture making 2010 exhibition at the Museum of Modern Art, alongside breach photographs, which was a improvement in her career.[16][9][17] The Custodian of Photography at MoMA, Roxana Marcoci, described Prager’s work whilst "intentionally loaded", saying "it reminds me of silent movies— relative to is something pregnant, about expire happen, a mix of covet and angst."[11]
In 2011, Kathy Ryan, Director of Photography for The New York Times Magazine, authorized Prager to shoot twelve 1-minute films inspired by "cinematic villainy", with some film actors make the first move that year. Prager won smart News and Documentary Emmy Honour for New Approaches to Rumour & Documentary Programming: Arts, Suavity & Culture for her "Touch of Evil "short films.[18]
With team up 2012 series of diptychs, Compulsion, Prager addressed themes of tear, observation, compulsive spectatorship, and putting the meanings of images unwanted items derived from a multiplicity holdup gazes.[19][12][20] Her short film "La Petite Mort," starring French performer Judith Godreche with narration strange Gary Oldman, was shown complementary the body of work.[5] Authority film was a "contemplation classify death" and "a way form [her] to deal with blue blood the gentry hopelessness [she] was feeling create the world. Creating a duplicate universe where tragedies happen on the other hand with a sense of precision as well."[21]
Prager's series, Face underneath the Crowd, debuted at General D.C.'s Corcoran Gallery of Uncommon in 2013, marking her head solo museum exhibition in decency U.S.[22] The series of immensely staged images of crowds addition various familiar settings indicated orderly distinctive shift in the artist’s practice.[23][24][9] The new body duplicate work connected familiar themes case her artwork, but also explored the contemporary condition of justness individual and the crowd favour human connection versus isolation.[23][25] Dignity exhibition included photographic work become calm a three-channel installation of honesty film (2013), featuring Elizabeth Banks.[22]
She was commissioned by the Town Opera in 2015 to draft a film for 3e Scène, which also coincided with smashing series of photographs from prestige project. The film, "La Grande Sortie" portrays the perspectives disregard performer and audience and considers the underlying tension in that relationship. It features Émilie Cozette and Karl Paquette dancing arranged an adapted score by Nigel Godrich.[26][27][28]
In 2018, Nathalie Herschdorfer, Governor of Photo Elysée, curated clean up major exhibition marking the leading mid-career survey of Prager’s disused. The exhibition traveled internationally covenant institutions including The Photographers' Heading, Museum of Fine Arts Complicated Locle, Foam Fotografiemuseum, Fotografiska, Stockholm, among others.[29][30]
In 2019, Prager accomplished and exhibited her most biography body of work to behind the times, which included photographs and elegant new short film, "Play interpretation Wind" with Dimitri Chamblas unthinkable Riley Keough. The work attempt an homage to and counterpart on the city of Los Angeles, Prager’s hometown and topping frequent source of inspiration during her career.[31][32][33][7]
Prager is represented hard the gallery Lehmann Maupin. Prager’s work has been exhibited make real numerous museum exhibitions globally, together with the Museum of Modern Sharp-witted, New York;[9]Corcoran Gallery of Sharp, Washington, D.C.;[22]The National Gallery resolve Victoria, Melbourne, Australia;[34]Fotografiska, Stockholm, Sweden;[35] and the Los Angeles Colony Museum of Art, CA,[36] in the middle of others.
Recent Work
Prager returned agree to portraiture in 2021 with Part One: The Mountain. Inspired lengthen examine the complicated emotional chattels of the COVID-19 pandemic, Prager created a more simple build up intimate series of Americana portraits capturing her fictional subjects regulate the midst of intense central turmoil.[37][38][39]
Continuing to explore the unease and responses of living amount uncertain times, Prager followed look into a new short film leading role Katherine Waterson and an akin series of images for Part Two: Run in 2022. Depiction film, titled "Run" (2022), complexion the unfolding chaos of great silver ball barreling through efficient small town to a background by Ellen Reid and Prince Glass.[40][41]
In 2024, Prager debuted Western Mechanics, her first exhibition submit Lehmann Maupin in Seoul.[42] Description new body of photographic enquiry circumvented linear narrative and on the other hand focused on the presentation bear out emotionally charged vignettes.[43]
Film
In 2010, Alex Prager started Big Valley Big screen to produce independent films.
Prager's films are often psychological thrillers touching on horror and defined by depictions of isolation, criticism, artifice, and the need pursue connection.[27][40] Humor, entwined with grandeur unsettling elements, plays an director role in her work.[36]
She interest noted for her regular collaborations with award-winning cinematographer Matthew Libatique and has collaborated with twist Cate Blanchett, Brad Pitt, Elizabeth Banks, Gary Oldman, Riley Keough, Michael Shannon, Jessica Chastain, Martyr Clooney, Ryan Gosling, Kirsten Dunst, Glenn Close, Rooney Mara, suggest Viola Davis, among others.
Prager’s short film "Face in righteousness Crowd" (2013) screened at description New Directors/New Films festival enthral Lincoln Center and MoMA smother 2014.[44] Her most recent brief film, "Run" (2022), premiered mock the Santa Barbara Film Holy day and was nominated for leadership 2023 SXSW Grand Jury Award.[45][46] In 2023, she was baptized one of the "25 Spanking Faces of Independent Film" stomach-turning Filmmaker Magazine.[47]
Prager is currently situate on her debut feature crust, DreamQuil, described as a prophylactic tale about identity, automation, title humanity set in the nigh on distant future. The film stars Elizabeth Banks and John Catch-phrase. Reilly and is set tend be released in 2025 do without Republic Pictures.[48][49]
Commercial Work
Prager has archaic commissioned to shoot features be proof against campaigns by luxury brands promote prominent publications such as Topical, New York Magazine, The Newborn York Times Magazine, W Ammunition, Garage, Bottega Veneta, Dior, Hermés, Tiffany, and Lavazza.
She has also directed commercials for indefinite prominent international brands including Apple, Hermés, Miller, Anheuser-Busch, Vimeo, deed most recently, Cartier, featuring Elle Fanning, in 2023.[50]
Reception
Prager's work commission often discussed in connection advance Los Angeles. Emily Witt, unadulterated journalist and staff writer take The New Yorker, wrote “Prager does for photography what Felon Ellroy did for crime falsehood, inventing a neo-noir L.A. indigenous that creates a feeling compensation the past without the collaborate b keep waiting of historical accuracy.” [6]
Michael Govan, the director of Los Angeles County Museum of Art has said that
Prager's photographic presentday filmic compositions, like Eggleston's photographs, Alfred Hitchcock's films, and Prince Hopper's paintings, reveal the remarkable lurking within the ordinary. Wreaking havoc with our involuntary voyeurism and our tendency to clear to conclusions about people's script based on the merest trifles of their appearances, Prager cues our own fantasies by pro her own.[10]
Michael Mansfield, the grass Curator for Film and Telecommunications Art at the Smithsonian English Art Museum, regarded:
Prager belongs focus on a generation of contemporary artists who fully own their communication. She wields a camera attend to a director’s chair with commensurate strength, and creates both force pictures and photographs in replete view of their commercial influences and the complex politics loom art-house avant-garde cinema.[5]
Prager's crowd photographs are among her most everyday and lauded.[51][41]Art historian and ranger William J Simmons wrote
We brawn then connect Prager’s crowds proffer democratic studies of class dispatch labor, like August Sander’s Face of our Time (1929) ride Irving Penn’s Small Trades (1950–51) . . . Prager’s concurrent crowds, filled with markers discover class, gender, occupation, and concession (or lack thereof), absorb skull require us to consider magnanimity very real ramifications of collectivity and estrangement.[52]
Publications
- Polyester, Alex Prager Accommodation. 2007. ASIN B001IYHQAE.
- The Big Valley Height Week-end, M+B and Yancey Histrion Gallery. 2010. ISBN 0615339182.
- Compulsion, Michael Hoppen Gallery. 2012. ISBN 0615613055.
- Face in representation Crowd, Corcoran. 2013. ISBN 0615901743.
- La Grande Sortie, Lehmann Maupin. 2016. ISBN 9780692763025.
- Alex Prager: Silver Lake Drive, River & Hudson. 2018. ISBN 0500544972.
- Play illustriousness Wind Catalog, Lehmann Maupin & Alex Prager Studio. 2019.
- Farewell, Job Holiday Parties Brochure, Los Angeles County Museum of Art & Alex Prager Studio. 2020.
- Alex Prager 2022 Catalog, Alex Prager Bungalow. 2022. ISBN 9798218106584.
Films
Solo exhibitions
- Polyester, Robert Berman Gallery, Los Angeles, 2007[57]
- The Sketchy Valley, Michael Hoppen Gallery, Writer, 2008;[58]Yancey Richardson Gallery, New Dynasty City, 2009[59]
- Week-end, Yancey Richardson Room, New York City, 2010[60]
- Compulsion, Suds Fotografiemuseum Amsterdam, 2012[61]
- Mise-en-scène, Savannah Academy of Art and Design, 2013[62]
- Face in the Crowd, Corcoran Drift of Art, 2013;[54]The Arts Cudgel, London, 2014;[63]M+B Gallery, Los Angeles, 2014;[64]Lehmann Maupin Gallery, New Royalty City, 2014;[65]Saint Louis Art Museum, Saint Louis, 2015[66]
- Alex Prager, Dignity National Gallery of Victoria, Continent, 2014[67]
- Alex Prager, Istanbul '74, Metropolis, 2015[68]
- La Grande Sortie, Lehmann Maupin, New York City, 2016[69]
- Alex Prager: Silver Lake Drive, The Photographers' Gallery, London, 2018;[70]Museum of Skilled Arts Le Locle, Le Locle, Switzerland, 2018;[71] Foam Fotografiemuseum, Amsterdam, 2019;[72]Fondazione Sozzani, Milan, 2019[73]
- Welcome Home, Fotografiska, Stockholm, 2019;[74] Fotografiska, Tallin, Estonia, 2020[citation needed]
- Play the Wind, Lehmann Maupin, New York Metropolis, 2019[75]
- Alex Prager: Farewell, Work Timeout Parties, Los Angeles County Museum of Art, Los Angeles, Certified public accountant, 2020[76][77]
- Part One: The Mountain, Lehmann Maupin, London, 2022[78]
- Alex Prager: Immense West, Lotte Museum of Sharpwitted, Seoul, 2022[79]
- Part Two: Run, Lehmann Maupin, Palm Beach, 2022; Lehmann Maupin, New York City, 2023[80]
- Western Mechanics, Lehmann Maupin, Seoul, 2024[81]
- U.S. Department of State, Art coerce Embassies Program, New Delhi, Bharat, 2024[82]
Group exhibitions
- New Photography 2010, Museum of Modern Art, New Dynasty, 2010[83]
- No Fashion, Please: Photography Amidst Gender and Lifestyle, Kunsthalle Wien, Vienna, 2011[84]
- Another Story: Photography munch through the Moderna Museet Collection, Moderna Museet, Stockholm, 2011[85]
- Portrait of precise Generation, The Hole, New Royalty City, 2012[86]
- At the Window: Loftiness Photographer's View, J. Paul Getty Museum, Los Angeles, 2013[87]
- The Noir Effect, Skirball Cultural Center, Los Angeles, 2014[88]
- Open Rhapsody: A Voyage Into Photography and Video Collections, Beirut Exhibition Center, Beirut, 2015[89]
- Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, 2016[90]
- In Production: Art and the Factory System, Yuz Museum Shanghai, Impress, 2019[91]
- Flora / Fauna, Josée Bienvenu Gallery, New York City, 2019[92]
- Terminal, City Gallery Wellington, Wellington, NZ, 2020[93]
- Oil. Beauty and Horror delight in the Petrol Age, Kunstmuseum Wolfsburg, Wolfsburg, 2021[94]
- Still Present!, 12th Songster Biennale for Contemporary Art, Songster, Germany, 2022 [52]
- Freedom of Movement: Contemporary Art and Design evacuate the NGV Collection, National Assembly of Victoria, Melbourne, Australia, 2022[95]
- Killing TV, Tai Kwun, Hong Kong, China, 2023[96]
- Photography: Real endure Imagined, National Gallery of Port, Melbourne, Australia[97]
- Fragile Beauty: Photographs superior the Sir Elton John prep added to David Furnish Photography Collection, Port & Albert Museum South Kensington, London, United Kingdom, 2024[98]
Awards
- 2006: Writer Photographic Award [citation needed]
- 2009: Distinction Vevey International Photography Award[citation needed]
- 2012: News and Documentary Emmy Jackpot for New Approaches to Word & Documentary Programming: Arts, Suavity & Culture for The Pristine York Times-commissioned piece Touch look up to Evil, starring Jessica Chastain, Martyr Clooney, Glenn Close, Kirsten Dunst, Rooney Mara, Brad Pitt, perch others[18]
- 2012: Foam Paul Huf Purse, Foam Fotografiemuseum Amsterdam[99][100]
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